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| name : | DanceD |
| subject : | [Nelly]Na-Nana-Na |
| home : | http://chriskwon.hihome.com |
[Jazze Pha] Ladies and gentlemen! Ladies and gentlemen ½Å»ç ¼÷³à ¿©·¯ºÐ! ½Å»ç ¼÷³à ¿©·¯ºÐ This, is truly an event À̰ÍÀº, ÁøÂ¥ ¹ú¾îÁö°í ÀÖ´Â ÀÏÀÔ´Ï´Ù Nelly Nel, Jazze Phizzle, Jazz Phiza-fel (Na-nana-na, nana, nana, nana) Woooo-eee! (Na-nana-na, nana, nana, nana) Woo, woo, woo, oh boy! (Na-nana-na, nana, nana, nana) Oh boy! Ohhh! Hey, hey hey hey hey hey hey *boy´Â ¿©±â¼ º°¶æ¾ø´Â °¨Åº»ç..À̹ǷΠ»ý·«-_- [Chorus: Nelly] Well uh-huh, well uh-huh girl I'm parked outside ±×·¡, uh-huh, ±×·¡ uh-huh ³ª ¹Û¿¡ ÁÖÂ÷ÇØ³ù¾î And you know that it's sittin on chrome, chrome (uh-huh) ³Êµµ ¾ËÀÝ¾Æ ¾ÆÁÖ ¹øÂ½°Å¸®´Â °Å¶ó°í, °Å¶ó°í (uh-huh) Hey, I'm just lookin for a pretty young thang ÇìÀÌ, ³ ±Í¿©¿î °É ã°í ÀÖ¾î that uh, I can take home (take home) ±×¸®°í Áý¿¡ µ¥·Á°¡°í ½Í¾î (µ¥·Á°¡°í ½Í¾î) Can we leave hurr (yeah) can we leave hurr (yeah) °°ÀÌ ¶°³¯±î (±×·¡) °°ÀÌ ¶°³¯±î (±×·¡) Can we leave hurr (yeah) can we leave hurr - shorty can we °°ÀÌ ¶°³¯±î (±×·¡) °°ÀÌ ¶°³¯±î - ¾Æ°¡¾¾ °°ÀÌ leave hurr (yeah) can we leave hurr (yeah) ¶°³¯±î (±×·¡) °°ÀÌ ¶°³¯±î (±×·¡) Can we leave hurr (yeah) can we leave hurr (yeah) °°ÀÌ ¶°³¯±î (±×·¡) °°ÀÌ ¶°³¯±î (±×·¡) [Nelly] I'm throwin nuggets out the fellow I push to Carmello ³ Áö±Ý Ä£±¸µé¿¡°Ô ±ÝÀ» ´øÁ®ÁÖ°í ÀÖ¾î, Carmello¸¦ ¸ô¾Æ Yellow on yellow flooded the band and the bezel ¾ÆÁÖ ÁÁÀº ±âºÐÀÌ ¹êµå¸¦ ÈÛ¾µÁö Hear me now! Oh, no, did you see the hue? ³» ¸»À» µé¾îºÁ! ¿À, ÀÌ·±, ¹æ±Ý »ö±ò ºÃ¾î? I took the Phantom to the Opera, same van roll through the ghetto ³ ¿ÀÆä¶óÀÇ À¯·ÉÀ» µ¥·Á¿Í, °ÔÅ並 ´©ºñ´ø ±× ¹êÀ» Ÿ°í Can we leave hurr? Shorty need to make up her mind °°ÀÌ ¶°³¯±î? ¸¶À½ÀÇ °áÁ¤ÀÌ ÇÊ¿äÇѰ¡º¸±º I seen them niggaz over there, but they ain't takin my shine Àú ¹Û¿¡¼ ±× ³à¼®µé º»ÀûÀÌ ÀÖ¾î, ÇÏÁö¸¸ ³» Èı¤À» »¯¾î°¥ ¼ø ¾ø¾î Got 7 niggaz tryin to be me, out here breakin they spine ¹ú¼ 7¸íÀ̳ª ³ªÃ³·³ µÇ·Á°í, µîÀÌ ±Áµµ·Ï ³ë·ÂÇÏÁö But they got 7 different levels for they minions to mind ÇÏÁö¸¸ ³¯ µû¶ó¿À·Á¸é 7°³ÀÇ ·¹º§Àº °ÅÃľßÇÒ°É I want you both shorty (oh) go get it crunk shorty (oh) ³ ³Ê³× µÑ´Ù ¿øÇØ (¿À) ±×·¯´Ï Áñ°ÜºÁ (¿À) I see your A-T-L stamp and go' head and stomp shorty (oh) ¾ÖƲ¶õŸ ¿ìÇ¥°¡ º¸¿©, ÇÑ ¹ø °¡¼ ¹ßÀ» ±¼·¯ºÁ (¿À) I got that shake now, and don't be scared now ³ªµµ Èçµé¾î, ¹«¼¿öÇÏÁö¸¶ Cause we can come from the kitchen up to that bed now ºÎ¾ý¿¡¼ ħ´ë±îÁö Á÷ÇàÇÒÅ״ϱî Shit it ain't nuttin to a boss, I heat you like air off Á¨Àå, º¸½ºÇÑÅ× ¾Æ¹«°Íµµ ¾Æ³Ä, ³ ³Î ´Þ±ÅÁà It ain't nuttin, they ain't cuttin, they frontin, that's they loss ¾Æ¹«°Íµµ ¾Æ³Ä, ±â¾îµéÁö¸¶, À߳ôÇÏ´Â ±º, ±×°Ô ÇêÁ¡ÀÌÁö Cause the, 'Tics is good, and the van is paid off ¿Ö³ÄÇϸé St. Lunatics´Â ¸ÚÁö°í, ¹êµµ µ· ´Ù ³½°Å°Åµç And I done got so damn cocky I took that Band-Aid off ±âºÐÀº °è¼Ó ÁÁ¾ÆÁ®, ±×·¡¼ Band-Aid¸¦ ¶Ã¾î [Chorus] [Nelly] Uhhhhhhhh, picture perfect, I paint a perfect picture Uhhhhhhhh, ¿Ïº®ÇÑ ÇÑ ÀåÀÇ ±×¸², ³ ±×¸²À» ¿Ïº®ÇÏ°Ô ±×·Á Third album, same focus, my intent is to get richer 3¹øÂ° ¾Ù¹ü, ¶È°°Àº ¸ñÀû, ¹Ù·Î ´õ ºÎÀÚ°¡ µÇ´Â °ÍÀÌÁö I'm with my dirty Jazze Phizzle, he yieldin that instrumental ¿·¿¡´Â ³» Ä£±¸ Jazze Pha°¡ ÀÖ¾î, À½¾ÇÀ» °Ç³×ÁÖ¾úÁö Youse a cold-ass nigga on the track (SHO' NUFF) ³Ê³×µéÀº ³Ê¹« Â÷°¡¿î ³ðµéÀÌ¾ß (È®½ÇÇØ) Man - I'm tired of poppin these bottles, tired of fuckin these models ÀÌ·± - ¼úº´ µû´Â °Íµµ ÀÌÁ¦ Èûµé°í, ¸ðµ¨µµ ÀÌÁ¦ Áö°Ü¿ö I'm tired of these menage-a nights - yeah right (PSYCH) »ï°¢°ü°è°¡ ¿¬¼ÓµÇ´Â ¹ãµµ Áö°Ü¿ö - ±×·¡ ÁÁ¾Æ (§) I was built for it, I got hip for it ³ ¿ø·¡ ÀÌ·¯·Á°í žÁö, È®½ÇÈ÷ wmf±æ ¼ö ÀÕÁö I even got a little swagger in my limp for it ¾Æ¹«¸® ºñƲ°Å·Áµµ ÀÚ¶û½º·¯¿î °ÉÀ½°ÉÀÌ´Â ÀØÁö ¾ÊÁö I done had, sex in the city plus sex in the country µµ½Ã¿¡¼³ª, ½Ã°ñ¿¡¼ sex¸¦ ÇØºÃ¾î You know - sex in the zoo di-rectly behind the monkeys ¶Ç ÀÖÀÝ¾Æ - µ¿¹°¿ø¿¡¼ ¿ø¼þÀÌµé µÚ¿¡¼µµ ÇØºÃ¾î Hold up! Don't get me wrong, I'm lookin for Ms. Right Àá±ñ¸¸! ±¦È÷ ¿ÀÇØÇÏÁö¸¶, ³ ¿î¸íÀÇ »ó´ë¸¦ ã´Â °Í»ÓÀÌ¾ß But tonight ain't the time, I'm lookin for right now ÇÏÁö¸¸ ¿À´Ã¹ãÀº ¸ø ãÀ»°Å °°¾Æ, ÇöÀç°¡ Áß¿äÇØ It's two-thousand-fo', I'm in a new home Áö±ÝÀº 2004³â, ³ »õ °íÇâ¿¡ ÀÚ¸®Àâ¾Ò¾î Threw out the Bentley bought a Double R {?} Bentley¿¡¼ Double RÀ» ´øÁ®¹ö·ÇÁö It's like I'm holdin on to permanent mistletoe, I think you been sittin low ¸¶Ä¡ °Ü¿ì»ìÀ̸¦ °è¼Ó Àâ°í¸¸ Àִ°Š°°¾Æ, ³Í Áö±Ý±îÁö ¾É¾Æ¸¸ ÀÖ¾ú±º *mistletoe - °Ü¿ì»ìÀÌ. ÀÌ ½Ä¹° ¾Æ·¡¿¡¼´Â ¾Æ¹« ¼Ò³à¿¡°Ô³ª Ű½ºÇصµ µÈ´Ù°í.. I got a driver dirty, he come when the whistle blow ³» ¿îÀü¼ö ¿ª½Ã ¸ÚÁ®, È֯Ķ÷ ÇÑ ¹øÀÌ¸é ¿©±â·Î ¿ÀÁö [Chorus] [Nelly] (Na-nana-na) I'm smoother than you know (³ª-³ª³ª-³ª) ³×°¡ ¾Æ´Â °Íº¸´Ù ´õ ¸ÚÁ® (Na-nana-na) Cadillac do's and bank rolls (³ª-³ª³ª-³ª) ijµô¶ô°ú µ·´Ù¹ß (Na-nana-na) I simply go places you can't go (³ª-³ª³ª-³ª) ³×°¡ °¥ ¼ö ¾ø´Â °÷µµ ³ °£´ÜÈ÷ °¡ Ain't see me in no Linc', but you know that derrty in Brougham Lincoln¿¡¼ ³¯ ãÀ» ¼ø ¾ø°ÚÁö¸¸, ¾Ë´Ù½ÃÇÇ Brougham¿£ ÀÖ¾î I be on my (grind-na-grind-na-grind-na-grind) ³ ¾ðÁ¦³ª (¹ÌÄ¡µµ·Ï-¹ÌÄ¡µµ·Ï-¹ÌÄ¡µµ·Ï-³î°í ÀÖ°ÚÁö) With my money on my (mind-my-mind-my-mind-my-mind) ¾ðÁ¦³ª ¸¶À½ ¼Ó¿£ µ·À» (»ý°¢Çϸé¼-Çϸé¼-Çϸé¼-Çϸé¼) Plus I'm still in my (prime-my-prime-my-prime-my-prime) ¶Ç Áö±ÝÀº ³ªÀÇ (Àü¼º±â¾ß-³ªÀÇ-Àü¼º±â¾ß-³ªÀÇ-Àü¼º±â¾ß) And we be smokin that (la-lala-lala-lala) ¿ì¸° ¶Ç ¸¶¸®È³ª¸¦ (ÇÇÁö-ÇÇÁö-ÇÇÁö-ÇÇÁö) [Chorus] (Na-nana-na, nana, nana, nana) - {*repeat to fade*} |
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