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| name : | DanceD |
| subject : | [The Roots]UNIverse At War |
| home : | http://chriskwon.hihome.com |
Intro: Common Yeah, U.N.I.Verse at war. U.N.I.Verse (when you and I verse) at war motherfucker ±×·¡, ÀüÀï¿¡ óÇÑ ¿ìÁÖ, ÀüÀï¿¡ (³Ê¿Í ³»°¡ ½Ã¸¦ ÁöÀ»¶§) óÇÑ ¿ìÁÖ We gonna do this Chi-town style(verse at war) Illadelph, you know how we get down ÀÌ°É ½ÃÄ«°í ½ºÅ¸ÀÏ·Î ÇØ³¾°Å¾ß (ÀüÀï¿¡ óÇÑ) Illadelph, ¿ì¸® ½ºÅ¸ÀÏÀº ¾Ë°í ÀÖÀÝ¾Æ You know the business (Illtown illanoid) ¹«½¼ ÀÏÀÎÁö ¾ËÁö (Illtown »ç¶÷µé) Bringin it straight to your chest (comin thru with the iller category) ´Ï °¡½¿À¸·Î ¹Ù·Î °¡Á®°¥°Ô (´õ ¸ÚÁø ÁÖÁ¦¸¦ °¡Áö°í ´Ù°¡°¡³×) Yessah, hah, yeah (preacher man with the Com) ÁÁ¾Ò¾î, hah, yeah (Com°ú ¼³±³ÀÚ) Break it down one two (we about to drop a bomb, check it) ½ÃÀÛÇØ Çϳª µÑ (ÀÌÁ¦ ÆøÅºÀ» ¶³¾î¶ß¸±°Å¾ß, üũ) Chorus: 2X When you and I verse at war (U.N.I.Verse at War) ³Ê¿Í ³»°¡ ÀüÀï¿¡¼ ½Ã¸¦ ÁöÀ»¶§ (ÀüÀï¿¡ óÇÑ ¿ìÁÖ) And your verse at core, for what you thought before ´Ï ±¸ÀýÀº Á߽ɿ¡ µÖ, ³×°¡ ÀÌÀü¿¡ °¡Áø »ý°¢µé·Î Steppin up into a zone you should never explore Àý´ë ŽÇèÇØ¼± ¾ÈµÉ Áö¿ªÀ¸·Î µé¾î¼³× The next level or, level of the whole conceptor ´ÙÀ½ ·¹º§ ȤÀº Àüü °³³äÀÇ ·¹º§ Verse One: Check it, rappers. Get on the mic talk about cars and clothes ºÁºÁ ·¡ÆÛµé, ¸¶ÀÌÅ©¸¦ Àâ°í Â÷¿Í ¿Ê¿¡ ´ëÇØ ¾ê±âÇØ Sounding like hoes. Ain't been exposed to the foes of most disciples ²À â³à °°¾Æ, ¸¹Àº ÀûµéÀ» ¸¸³ªº¸Áö ¾Ê¾Ò´ø°ÅÁö I'm from the state that is Ill, the rap son of man ³ª´Â ¾ÆÁÖ ¸ÚÁø ÁÖ¿¡¼ ¿Ô¾î, ·¦ÀÇ ¾Æµé Rotated down to Phil, to say what I feel Çʶóµ¨ÇǾƿ¡¼ ¿Í¼, ³»°¡ ÇÏ°í ½ÍÀº ¸»À» ÇÏÁö Get it off my burnt chest, my word becomes flesh Ÿ¹ö¸° °¡½¿¿¡¼ ¶³¾îÁ®, ´Ü¾î´Â ÇǺΰ¡ µÇÁö War, going on between the West and the East ¼ºÎ¿Í µ¿ºÎ °£¿¡ ¹ú¾îÁö°í ÀÖ´Â ¶¥½Î¿ò of the land, niggaz don't own a piece ¾Æ¹«µµ ÃÑÀ» °¡Áö°í ÀÖÁö ¾Ê¾Æ Grease is the word, Murray slides some pimp oil to me ±â¸§ÀÌ µü ¾î¿ï¸®´Â ´Ü¾îÁö, Murray°¡ ³»°Ô ³Ñ°ÜÁá°Åµç My lady friend sneaks my beer in the movie ³» ¿©ÀÚÄ£±¸´Â ¿µÈ°ü¿¡ ¸ÆÁÖ¸¦ ¸ô·¡ °¡Áö°í µé¾î°¡ Throw your hands in the air, if you the true and living Çã°ø¿¡ ¼ÕÀ» ¿Ã·Á, ¸¸¾à ´Ï°¡ Áø½ÇÇÏ°Ô »ê´Ù¸é Beware, the new world order, the devil's new religion Á¶½ÉÇØ¶ó, ½Å¼¼°èÀÇ Áú¼°¡ ¿Â´Ù, ¾Ç¸¶ÀÇ »õ Á¾±³ Sent my homey to the number two division ³» Ä£±¸¸¦ 2¹ø±¸¿¡ º¸³ÂÁö Sellin bootleg movies, got my VCR on a evasive maneuver ºÒ¹ý ¿µÈ¸¦ ÆÄ³×, VCRµµ Á¤Á÷ÇÏ°Ô ¾òÀº°Ç ¾Æ´ÏÁö Be that as I chooses, drinkin tropical it's just sittin ¾î·µç ³» ¼±ÅÃÀ̾ß, ¿´ëÀ½·á¸¦ ¸¶½Ã¸ç at a table with sophisticated bitches Å×ÀÌºí¿¡ °í»óÇÑ ¿©ÀÚµé°ú ¾É¾ÆÀÖ¾î Nah that ain't nothin I would call my mother ¾Æ´Ï Àý´ë ³» ¾ö¸¶¶ó°í ºÎ¸¦ ¿©ÀÚ´Â ¾Æ´Ï¾ß Nor do I call every nigga my brother ¶Ç ¸ðµç »ç¶÷µéÀ» º¸°í ÇüÁ¦¶ó°í ÇÏÁø ¾ÊÁö Gotta have Black Thought, it's sorta B like Malik '°ËÀº »ý°¢'À» ÇØ¾ßÇØ, Malikó·³ ¾à°£Àº BÁö So don't Question a Brother, to the Roots I get deep ±×·¯´Ï Áú¹®Àº ÇÏÁö¸¶, '»Ñ¸®'·Î ³ ´õ ±íÀÌ µé¾î°¡Áö Verse Two: Yo, enter the last era. Your scholarship into the world of politics Yo, ¸¶Áö¸· ½Ã´ë·Î µé¾î°¡º¸ÀÚ, ³ÊÀÇ ÀåÇбÝÀº Á¤Ä¡°è¿Í and mascara, we operate within this artificial op-era ¸¶½ºÄ«¶ó·Î, ¿ì¸®´Â ÀÌ ÀΰøÀûÀÎ ¿ÀÆä¶ó ¼Ó¿¡¼ ÀÛ¾÷ÇØ I bring hip-hop terror like the Fuhrer. The Ace Ventura into the horror ³ ÈüÇÕÀ¸·Î Fuhreró·³ Å×·¯ÇØ, È£·¯¿¡ ºüÁø Ace Ventura Laboratory laborer, venture beyond the border ½ºÆ©µð¿À ³ëµ¿ÀÚ, °æ°è¼±À» ³Ñ¾î ¸ðÇèÇØ I'll struc-ture a style destroy your whole aura ½ºÅ¸ÀÏÀ» ¸¸µé¾î ´Ï ±â¸¦ ¸ðµÎ ±ú¶ß¸±°Ô Plus you're a-drenalin'll rise before your eyes °Ô´Ù°¡ ´Ï ¾Æµå·¹³¯¸°Àº ´«¾Õ¿¡¼ ¿Ã¶ó°¡°í and mortalize, my image hit the skies. Deceive the devil in disguise ÁװԵɰÉ, ³» À̹ÌÁö°¡ Çϴÿ¡ ´ê¾Æ, º¯ÀåÇÑ ¾Ç¸¶¸¦ ¼ÓÀ̰í My music I parenthesize. Represent the wise, do this be how we enterprise ³» À½¾Ç¿¡ °ýÈ£¸¦ ÃÄ, Çö¸íÇÔÀ» º¸¿©, À̰ÍÀº ¿ì¸®°¡ ±âȹÇÑ °Í Kid no compromise (yeah, yeah) I'm thinkin fast like drama ŸÇùÁ¡Àº ¾ø¾î (±×·¡, ±×·¡) ³ µå¶ó¸¶Ã³·³ ºü¸£°Ô »ý°¢ÇÏÁö Dyin I wear your mind away like Alzheimer Á׾¶§ ´Ï ¸¶À½À» ¾ËÃ÷ÇÏÀÌ¸Ó º´Ã³·³ ´â°ÔÇØ I pull a mic up out my bomber big up to Bahama ¸¶ÀÌÅ©¸¦ ÆøÅº¿¡¼ ²¨³» Bahama¿¡ °¡Áö The A-O this year we leavin em in trauma À̹øÇØÀÇ A-O, ±×µéÀ» Ãæ°Ý »óÅ¿¡ ºü¶ß·Á Then after me, I plan to leave behind, the legacy ±×´ÙÀ½¿£, À¯»êÀ» ³²±â°í ½Í¾î or history of the family, the fifth dynasty. For humanity, to bear witness to this ¾Æ´Ï¸é °¡Á·, ´Ù¼¸¹øÂ° ¿ÕÁ¶ÀÇ ¿ª»ç¶óµµ. Àΰ£¼ºÀ» À§ÇØ, À̰Ϳ¡ ÁõÀÎÀ» ¼¼¿ì±â À§ÇØ Del-val-syllable stylist. You know the time kid À½ÀýÀ» ³ª´©´Â ½ºÅ¸Àϸ®½ºÆ®, ¹«½¼ ½Ã°£ÀÎÁø ¾ËÁö Chorus 2X Verse Three: Yo, the general flows, kids compose on tablet Yo, Æò¹üÇÑ Ç÷οì, ²¿¸¶µéÀÌ ÅÂºí¸´ À§¿¡ Áö¾î³ùÁö Expose how they was average and they thoughts not rapid ±×µéÀÌ ¾ó¸¶³ª º¸ÅëÀΰ¡¸¦ ±î¹ß·Á, »ý°¢µµ ºü¸£Áö ¾Ê¾Æ Here comes the hot package, through your block like traffic ¿©±â ¶ß°Å¿î ÁÖÁ¦°¡, ´Ï °Å¸®¸¦ ÀÚµ¿Â÷ó·³ ½±¾´´Ù The rock was typed graphic now watch the mic blast it ¸ÚÁö°Ô ±â·ÏµÈ °ÍÀ» ¸¶ÀÌÅ©°¡ Æø¹ßÇÏ´Â °É ÁöÄѺÁ Shootin at the stars with emphatic rap static °Á¶µÇ´Â ·¦ÀÇ Àü±â·Î º°À» ½î°í See the mirror shatter from thoughts, I'm bustin back at it »ý°¢À¸·Î °Å¿ïÀÌ ±úÁ®, ³ ´Ù½Ã ¹Ý°ÝÇØ The Lieuten-ant, the ele-phant, sippin automatic ÁßÀ§, ÄÚ³¢¸®, ÀÚµ¿±ÇÃÑ Mic, rippin asiatic, architects out to have it ¸¶ÀÌÅ©, µ¿¾çÀÎ ½ºÅ¸ÀÏ, °ÇÃà°¡µéµµ Àß ºÁ¾ßÇÏÁö The turn of the century, the planet's like a penitentiary ¼¼±âÀÇ ÀüȯÁ¡, ÀÌ Ç༺Àº °¨¿Á °°¾Æ exaggerated, niggaz is livin highly medicated °úÀå, »ç¶÷µéÀº ¾à¿¡ ÃëÇÑµí »ì¾Æ°¡°í ÀÖ¾î I Used to Love but now she violated ±×³à¸¦ »ç¶ûÇϰï ÇßÁö¸¸ ÀÌÁ¨ ¸Á°¡Á³Áö Hip-hop holocaust and camps, old champs are concentrated ÈüÇÕÀÇ ´ëÇлì°ú Ä·ÇÁ, ¿¾ èÇǾðµéÀº »ý°¢Çϰí ÀÖ¾î They outdated and incarcerated ±×µéÀº µÚÃÄÁö°í °¨¿Á¿¡ °¤Çû¾î Loved and appreciated hated and very debated »ç¶ûÀÇ °¨»çÀÇ ´ë»óÀÌ¸é¼ Áõ¿À¿Í ³í¶õÀÇ ´ë»ó For every career created was eliminated ¸¸µé¾îÁø ¸ðµç °æ·ÂÀº Á¦°ÅµÇ¾úÁö And that's the way the balance of yin and yang related ±×·¸°Ô À½°ú ¾çÀÇ ±ÕÇüÀÌ ¸ÂÃçÁ³°í Verse Four: Common As the block is de-vine Niggaz swing on in a safari ½Å¼ºÇÑ °Å¸®¿¡¼ À̵éÀº »çÆÄ¸®¿¡¼Ã³·³ µ¹¾Æ´Ù³à¾î Wild niggaz, like I'm high on latari °ÅÄ£ ³à¼®µé, ¸¶Ä¡ ³»°¡ Latari¸¦ ÇѵíÀÌ Some let the block block they mind if they could see what I see ¸î¸îÀº ¸¶À½À» º®À¸·Î ¸·¾Æ³õ¾Æ, ³»°¡ º¼ ¼ö ÀÖ´Â °ÍÀ» º¸¾Ò´Ù¸é ÁÁÀ»ÅÙµ¥ Get out the city for a sec be at the places I be Àá½Ã¸¸ ³ª¿Í¼ ³»°¡ ÀÖ´Â °÷À¸·Î °¡ºÁ Hey, I'ma be back on the deck, opening À̺Á, ³ ´Ù½Ã °©ÆÇ¿¡ ¿Ã¶ó¿Í¼, ÀÌ Àå¼Ò¿¡¼ Business in places for you to cash your check ºñÁî´Ï½º¸¦ ¿°í ¼öÇ¥¸¦ Çö±ÝÀ¸·Î ¹Ù²Ü°Å¾ß My, neck of the woods ain't all good ain't all bad ³»°¡ »ç´Â °÷Àº ±×·¸°Ô ÁÁÁöµµ ³ª»ÚÁöµµ ¾ÊÁö You can live in the burbs, and still get had ±×³É µµ½Ã ¿Ü°û¿¡¼ »ì¸é¼µµ Àß ¹ú ¼ö ÀÖ¾î The sad part about it niggaz had houses on the lake ½½Ç ºÎºÐÀº »ç¶÷µéÀº È£¼ö¿¡ ÁýÀ» Áþ°í They tryin to move us out, the land we ain't appreciate ¿ì¸± ÂѾƳ»·ÁÇß´Ù´Â °Å¾ß, ¿ì¸®°¡ ÁÁ¾ÆÇÏÁö ¾Ê´Â ¶¥À¸·Î For peace we skate, crackers we roll or player hate Æòȸ¦ À§ÇØ ½ºÄÉÀÌÆ®¸¦ Ÿ°í, ¹éÀεéÀ» °¡Áö°í ³îÁö Call each other cuz cause of how we relate °ø°¨ÇÑ´Ù¸é ¼·Î¸¦ ºÒ·¯ I see way too many Cadillacs with dope man plates ¸ÚÁø Àå½ÄÀ» ÇÑ Ä³µô¶ôµµ ³Ê¹« ¸¹ÀÌ º»°Å °°¾Æ Through the wind and blow-ups, is how niggaz communicate ¹Ù¶÷°ú Àαâ¸ôÀÌ·Î ÈæÀεéÀº ´ëÈÇØ Harmonizing through beeper and reefer È£Ãâ±â¿Í ¸¶¸®È³ª·Î À½À» ¸ÂÃß¸é¼ ¸»¾ß The city got my peoples in a sleeper, talk is getting cheaper µµ½Ã´Â ³» »ç¶÷µéÀ» ħ´ë¿¡ ³Ö¾ú°í, ¸»Àº Á¡Á¡ ¾µ¸ð¾ø¾îÁö°í ÀÖ¾î Chorus 4X |
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