·Î±×ÀÎ °Ô½ÃÆÇ ȸ¿ø°¡ÀÔ
name :    DanceD
subject :    [De La Soul]Ring Ring Ring
home :    http://endforand.net/danced


"Yes this is Miss Renee King from Philadelphia.
"¾È³çÇϼ¼¿ä Àú´Â PhiladephiaÀÇ Renee KingÀä

I want you to please give me a call on area code 215 222 4209
215 222 4209·Î ÀüÈ­ÁÖ½Ã¸é °¨»çÇϰڽÀ´Ï´Ù

and I'm calling in reference to the music business. Thank you."
À½¾Ç »ç¾÷¿¡ °üÇØ¼­ ÀüÈ­µå¸®´Â °Å¿¡¿ä. °¨»çÇÕ´Ï´Ù."

DOVE:
Hey how ya doin'
ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä

Sorry ya can't get through
Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëÈ­°¡ ¾È µÇ¿ä

Why don't you leave your name and your number
À̸§À̶û ÀüÈ­ ¹øÈ£¸¦ ³²±â½Ã¸é

And I'll get back to you
³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä

Hey how are ya doin'
ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä

Sorry ya can't get through
Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëÈ­°¡ ¾È µÇ¿ä

But leave your name (uh) and your number
ÇÏÁö¸¸ À̸§À̶û (¾î) ¹øÈ£¸¦ ³²±â½Ã¸é

And I'll get back to you.
³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä

Once again it's another rap bandit
¶Ç´Ù½Ã ³ªÅ¸³­ ·¦ ¾Ç´ç

Fiending at I and I can't stand it
³ª¸¦ °è¼Ó °¥±Å´ë´Ï ÂüÀ» ¼ö°¡ ¾øÁö

Wanna be down with the Day-Glo
Day-Glo¿Í ÇÔ²²ÇÏ°í ½Í¾î

Knocking on my door, saying, "a yo yo"
³» Áý ¹®À» µÎµé±â¸é¼­ ¸»ÇØ "a yo yo"

Knocking on my door, saying, "a yo yo"
³» Áý ¹®À» µÎµé±â¸é¼­ ¸»ÇØ "a yo yo"

"I got a funky new tune with a fly banjo"
"¹êÁ¶·Î ¿¬ÁÖÇÑ ½Å³ª´Â À½¾ÇÀÌ ÀÖ¾î¿ä"
*banjo - ±âŸ ºñ½ÁÇÏ°Ô »ý±ä, ÈæÀεéÀÌ ¸¸µç ÀüÅë ¾Ç±â. »çÁø

I can't understand what the problem is
¹¹°¡ ¹®Á¦ÀÎÁö ¸ð¸£°Ú±º

I find it hard enough dealing with my own biz
³» ÀÏ Ã³¸®Çϱ⵵ ÃæºÐÈ÷ ¾î·Á¿îµ¥

How'd they get my name and number
¾î¶»°Ô ³» À̸§À̶û ¹øÈ£±îÁö ¾Ë¾Æ³½°ÅÁö

Then I stop to think and wonder
±×·¯´Ù Àá½Ã ¾ÕÀ¸·ÎÀÇ °èȹÀÌ

Bout a plan, yo man, I gotta step out town
±Ã±ÝÇØÁ®, yo Ä£±¸, ³ª µµ½Ã ¹Û¿¡ ´Ù³à¿Í¾ßµÅ

You wanna call me up? Take my number down
¿¬¶ôÇÏ°í ½Í´Ù°í? ¿©±â ¹øÈ£ ¹Þ¾ÆÀû¾î

It's 222-2222
222-2222¾ß

I got an answering machine that can talk to you
³»°¡ ¾ø¾îµµ ÀÚµ¿ÀÀ´ä±â°¡ ¹ÞÀ»°Å¾ß

It goes
¸Þ¼¼Áö´Â

POS:
Hey how are ya doin'
ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä

Sorry ya can't get through
Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëÈ­°¡ ¾È µÇ¿ä

But leave your name and your number
ÇÏÁö¸¸ À̸§À̶û (¾î) ¹øÈ£¸¦ ³²±â½Ã¸é

And I'll get back to you.
³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä

Yo, check it, exit the old style, enters the new
Yo, µé¾îºÁ, ¿¾³¯ ½ºÅ¸ÀÏÀº ³ª°¡°í, »õ·Î¿î °Ô µé¾î¿Í

But nothing's new 'bout being hawked by a crew
ÇÏÁö¸¸ µý ³ðµéÀÌ ³¯ ±«·ÓÈ÷´Â °Ç ¿¹Àü°ú °°Áö

Or should I say flock cause around every block
¾Æ´Ï µý ¹«¸®¶ó°í ÇØ¾ßÇϳª? ¾î´À °Å¸®¸¦ °¡µç

There's Harry, Dick, and Tom, with a demo in his palm
Harry, Dick, ±×¸®°í TomÀÌ ¼Õ¿¡ µ¥¸ðÅ×ÀÔÀ» µé°í ´Ù´Ï°Åµç

Now I'm with helping those who want to help themselves
³ª´Â ¹°·Ð ½º½º·Î¸¦ µ½´Â »ç¶÷µéÀ» µ½°í

And flaunt a nut that's doggy as in dope
¸ÚÁø ôÇϸ鼭 °Åµå¸§ ÇÇ¿ì°í ½Í¾î

But it's not the mood to hear the tales of limousines
ÇÏÁö¸¸ ÀÚ±âµéÀÌ Å¸°í ´Ù´Ò°Å¶ó´Â ¸®¹«Áø, ¹ú°Å¶õ µ·¹¶Ä¡

And pails of money they'll make like a pro
±×·± ¾ê±â¸¦ µéÀ» ±âºÐÀº ¾Æ´Ï¶ó°í

I be like, "Yo black, just play me the tape"
³­ ¸»ÇÏÁö, "Àú±â, ±×³É Å×ÀÔÀ̳ª Ʋ¾îºÁ¿ä"

But at the show the time to spare I just make
ÇÏÁö¸¸ ¼î¿¡¼­´Â ±×³É ³²´Â ½Ã°£À» ÀϺη¯ ¸¸µå´Â °Å°í

But the songs created in they shacks are so wick-wick-wack,
±×µéÀÌ ÀÚ±â Áý¿¡¼­ ¸¸µç ³ë·¡´Â Âü ±¸¸®µð ±¸¸°°É

situations like this and now I hate they give me smiles Kool-Aid wide and ask,
ÀÌ·± »óȲ¿¡ ±×µéÀº Kool-Aid °°Àº ¹Ì¼Ò¸¦ ÇѲ¯ º¸À̸鼭

"Was it def?" And with the straighest face I be like, "Hell yes."
"ÁÁÁö ¾Ê¾Ò¾î¿ä?" ±×·³ ³­ ÁøÁöÇÑ ¾ó±¼·Î "¿À ´ç¿¬ÇÏÁÒ"

I slip them the digits to Papa Prince Paul
Papa Prince PaulÀÇ ¹øÈ£¸¦ ±×µé¿¡°Ô ³Ñ±âÁö

So I don't go AWOL but yet I know when they call
¾Æ¿¹ ¾ø´Â »ç¶÷Àº ¾È µÇ°Ô ¸»¾ß, ÇÏÁö¸¸ ±×µéÀÌ ÀüÈ­¸¦ °É¸é

They get
±×µéÀÌ µè´Â °Ç

MASE:
Hey how ya doin'
ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä

Sorry ya can't get through
Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëÈ­°¡ ¾È µÇ¿ä

Why don't you leave your name and your number
À̸§À̶û ÀüÈ­ ¹øÈ£¸¦ ³²±â½Ã¸é

And I'll get back to you
³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä

Hey how are ya doin'
ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä

Sorry ya can't get through
Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëÈ­°¡ ¾È µÇ¿ä

Why don't you leave your name and your number
À̸§À̶û ÀüÈ­ ¹øÈ£¸¦ ³²±â½Ã¸é

And I'll get back to you.
³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä

Check it out
µé¾îºÁ

Party at the dug-out on Diction Ave
Diction Ave.ÀÇ ´õ±×¾Æ¿ô¿¡¼­ÀÇ ÆÄƼ

Haven't been to the jam in quite a while
Çѵ¿¾È À½¾Ç¿¡ ¸ÂÃç Áñ±âÁö ¾Ê¾ÒÁö

Figure I'll catch up on the latest styles
¾Æ¹«·¡µµ ÃÖ±Ù ½ºÅ¸ÀÏÀ» µû¶ó°¡¾ß°Ú¾î

'Stead piles and piles of demo tapes bi-da miles
Àú ¾öû³ª°Ô ½×ÀÎ µ¥¸ðÅ×ÀÔÀº Ä¡¿öµÎ°í

All I wanna do is cut on the decks wild
³­ ±×³É »ý°¢¾øÀÌ À½¾ÇÀ» ¸¸µé°í ½Í¾î

But edition up here bi-da miles to the center
ÇÏÁö¸¸ ¿©±â ¾Ù¹üµéÀº Áß¾Ó±îÁö(?)

Reliever of duty, Plug One mosies in
ºÎ´ãÀ» ´ú¾îÁÖ´Â, Plug OneÀÌ µé¾î¿Í

And I be like, "Yo G, Pos does all the producing"
±×·³ ³ª´Â "Yo G, ÇÁ·Îµà½ÌÀº Pos°¡ ´Ù ÇØ"¶ó ÇÏÁö

POS:
Now woe is me to the third degree
¿À ³­°¨Çϱº, ±×°Íµµ 3±ÞÀ¸·Î

Mase pulls the funny so I make like a bunny
Mase°¡ ³ó´ãÀ» ´øÁ® ±×·¡¼­ ³­ Å䳢ó·³ ¹ÝÀÀÇØ(?)

Jettin', but I'm getting used to this demo abuse
´Þ·Á, ÇÏÁö¸¸ ÀÌ ½ñ¾ÆÁö´Â µ¥¸ðÅ×ÀÔ¿¡ Àͼ÷ÇØÁö³×

Getting raped and giving birth to a tape
°­°£ ´çÇØ Å×ÀÔÀ» ³º´Â °Ý

Cause there's no escape from the clutches of a hawker
±×µéÀÇ ¼Õ¾Æ±Í¿¡¼± ¹þ¾î³¯ ±æÀÌ ¾ø³×

Attached to my success, sent like a stalker
³» ¼º°ø¿¡ ´Þ¶óºÙ¾î, ½ºÅäĿó·³ µû¶ó¿À¸é¼­

Make way to my radius playin fly guy
³» ±Ùó¿¡¼­ ¸ÚÀïÀÌÀΠôÀ» ÇÏÁö

Try to get on my back they force like Luke Sky
³» µî¿¡ ¾÷È÷·Á Luke Skyó·³ Èû(force)À» ½á

Me Myself and I go through this act daily
³ª È¥ÀÚ ÀÌ ÀÏÀ» ¸ÅÀÏ °Þ³×

And rarely do I not
°ÅÀÇ ÇÇÇÏÁú ¸øÇØ

No matter how I dodge some jackal always nails me
¾Æ¹«¸® ÇÇÇÏ·ÁÇØµµ Àú³ðµé Ç×»ó ³ª¸¦ ã¾Æ³»Áö

No matter what the plot
°èȹÀÌ ¹¹µç °£¿¡

And even out on tour they be like,
Åõ¾î ÁßÀÌ·¡µµ ±×µéÀº ¿Í¼­´Â

"Yo I got a tape to play you back at the hotel"
"Yo È£ÅÚ °¡¼­ ´ç½ÅÀÌ µé¾îº¼¸¸ÇÑ Å×ÀÔ °¡Á®¿Ô¾î¿ä"

I be like "Oh swell"
³­ ±×·¯¸é "¿À ¸ÚÁö³×¿ä"

Unveil the numeric code to dial my room
³» ¹æÀ¸·Î °¡´Â ¹øÈ£¸¦ ¾Ë·ÁÁÖ°ï

And tell them to call me at noon
³·¿¡ ÀüÈ­Ç϶ó°í ¸»À» ÇÏÁö

But of course there's no answering machine in my room
ÇÏÁö¸¸ ¹°·Ð ³» ¹æ¿¡´Â ÀÚµ¿ ÀÀ´ä±â°¡ ¾ø°í

But a pretty young adorer who I swung on tour
³¯ ÁÁ¾ÆÇÏ´Â, Åõ¾î ¶§ ÇÔ²²ÇÏ´Â ¿¹»Û ¾Æ°¡¾¾°¡ ÀÖ¾î

And if it rings while we're alone, she'll answer the phone
¸¸¾à ¿ì¸® ´ÜµÑÀÌ Àִµ¥ ÀüÈ­°¡ ¿ï¸®¸é, ±×³à°¡ ÀüÈ­¸¦ ¹Þ°í´Â

And with the quickness she'll recite like a poem
Àçºü¸£°Ô ½Ã¸¦ À¼µí ´ë´äÇÏÁö

DOVE:
"Hey, you done did the right thing, dial up my ring ring
"ÇìÀÌ, Àß Çϼ̾î¿ä, Á¦ ÀüÈ­¹øÈ£·Î ´Ù °Å½Ã°í

Now you're waiting on the beep.
ÀÌÁ¦ »ß ¼Ò¸®¸¦ ±â´Ù¸®¼¼¿ä.

Say, I would love if you'd sing
¾Æ, ±×¸®°í Àß³­Ã´ÇÏ´Â ´ë½Å

The tune to Tru instead of fronting on the speak."
Tru ³ë·¡³ª ³»°Ô ºÒ·¯ÁÖ´Â °Ô ¾î¶§¿ä

So no problemo, just play the demo
¹®Á¦ ¾øÁö, ±×³É µ¥¸ð¸¦ Ʋ°í

And at the end it's break out time
³¡¿¡´Â Àá½Ã ºñ¾îÀÖ´Â ½Ã°£

Please oh please don't press rewind
Á¦¹ß ¿À Á¦¹ß µÇ°¨±â´Â ´©¸£Áö¸¶

Cause I'll just lay it down the line
´ë½Å ³»°¡ µé·ÁÁÙ ¸»ÀÌ ÀÖ¾î

Hey how ya doin'
ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä

Sorry ya can't get through
Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëÈ­°¡ ¾È µÇ¿ä

Why don't you leave your name and your number
À̸§À̶û ÀüÈ­ ¹øÈ£¸¦ ³²±â½Ã¸é

And I'll get back to you
³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä

POS:
Hey how ya doin'
ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä

Sorry ya can't get through
Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëÈ­°¡ ¾È µÇ¿ä

Why don't you leave your name and your number
À̸§À̶û ÀüÈ­ ¹øÈ£¸¦ ³²±â½Ã¸é

And we'll get back to you.. peace
³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä.. ¾È³ç

'Yo what's up man, this is Ronald Master down with the Fish Tank Posse,
'Yo ¾È³çÇϼ¼¿ä, Àú´Â Fish Tank PosseÀÇ ¸â¹ö Ronald Master¶ó°í Çϴµ¥¿ä

man, you know man, so you know you can just hook me up, True.
¾ËÁÒ, ¾ðÁ¦µç ÇȾ÷µÉ ÁغñµÇ¾îÀְŵç¿ä, ÁøÂ¥¿ä.

You know we got this fly new jam called 'Swimming In the Fish Tank',
¾Æ ±×¸®°í ÃÖ±Ù¿¡ ¿ì¸®°¡ "Swimming in the Fish Tank'¶ó´Â ¸ÚÁø ½Å°îÀÌ ³ª¿Ô´Âµ¥¿ä

you know we gonna rock it man, you know what I'm saying,
À̰ɷΠÇÑÅÁ ÇҰŶó°í¿ä, ¹«½¼ ¸»ÀÎÁö ¾ËÁÒ

but I just need your help, Prince Paul gave me your number,
ÇÏÁö¸¸ ´ç½Å µµ¿òÀÌ ÇÊ¿äÇØ¿ä, Prince PaulÀÌ ¹øÈ£ ¾Ë·ÁÁ༭ ÀüÈ­ÇÏ´Â °Çµ¥

you know man, you just gotta do that for me, got this fly bassline,
ÀÖÀݾƿä, ÁøÂ¥ ³¯ À§Çؼ­ ÇØÁà¾ßÇØ¿ä, º£À̽º¶óÀεµ ¸ÚÁö°í

got these fly trombones in it man, so just hook me up, man,
Æ®·Òº» ¸á·Îµðµµ ¸ÚÁö°í, ±×·¯´Ï±î ³ª µ¥·Á°¡¿ä

just look out, all right, call me back at 557-2223 all right man,
³ªÇÑÅ× ¿¬¶ôÇØ¿ä, ³×, 557-2223À¸·Î ÀüÈ­ÇÏ¸é µÇ¿ä

just look out, all right, look out for a brother man!'
±×³É ³ªÇÑÅ×, ³×, ³ªÇÑÅ× ¿¬¶ôÇÏ¸é µÇ¿ä!'


name      

password   
memo

¡è

prev   [Public Enemy]You're Gonna Get Yours

¡é

next   [De La Soul]A Roller Skating Jam Named "Saturdays"