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| name : | DanceD |
| subject : | [De La Soul]Ring Ring Ring |
| home : | http://endforand.net/danced |
"Yes this is Miss Renee King from Philadelphia. "¾È³çÇϼ¼¿ä Àú´Â PhiladephiaÀÇ Renee KingÀä I want you to please give me a call on area code 215 222 4209 215 222 4209·Î ÀüÈÁÖ½Ã¸é °¨»çÇϰڽÀ´Ï´Ù and I'm calling in reference to the music business. Thank you." À½¾Ç »ç¾÷¿¡ °üÇØ¼ Àüȵ帮´Â °Å¿¡¿ä. °¨»çÇÕ´Ï´Ù." DOVE: Hey how ya doin' ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä Sorry ya can't get through Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëȰ¡ ¾È µÇ¿ä Why don't you leave your name and your number À̸§À̶û ÀüÈ ¹øÈ£¸¦ ³²±â½Ã¸é And I'll get back to you ³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä Hey how are ya doin' ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä Sorry ya can't get through Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëȰ¡ ¾È µÇ¿ä But leave your name (uh) and your number ÇÏÁö¸¸ À̸§À̶û (¾î) ¹øÈ£¸¦ ³²±â½Ã¸é And I'll get back to you. ³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä Once again it's another rap bandit ¶Ç´Ù½Ã ³ªÅ¸³ ·¦ ¾Ç´ç Fiending at I and I can't stand it ³ª¸¦ °è¼Ó °¥±Å´ë´Ï ÂüÀ» ¼ö°¡ ¾øÁö Wanna be down with the Day-Glo Day-Glo¿Í ÇÔ²²ÇÏ°í ½Í¾î Knocking on my door, saying, "a yo yo" ³» Áý ¹®À» µÎµé±â¸é¼ ¸»ÇØ "a yo yo" Knocking on my door, saying, "a yo yo" ³» Áý ¹®À» µÎµé±â¸é¼ ¸»ÇØ "a yo yo" "I got a funky new tune with a fly banjo" "¹êÁ¶·Î ¿¬ÁÖÇÑ ½Å³ª´Â À½¾ÇÀÌ ÀÖ¾î¿ä" *banjo - ±âŸ ºñ½ÁÇÏ°Ô »ý±ä, ÈæÀεéÀÌ ¸¸µç ÀüÅë ¾Ç±â. »çÁø I can't understand what the problem is ¹¹°¡ ¹®Á¦ÀÎÁö ¸ð¸£°Ú±º I find it hard enough dealing with my own biz ³» ÀÏ Ã³¸®Çϱ⵵ ÃæºÐÈ÷ ¾î·Á¿îµ¥ How'd they get my name and number ¾î¶»°Ô ³» À̸§À̶û ¹øÈ£±îÁö ¾Ë¾Æ³½°ÅÁö Then I stop to think and wonder ±×·¯´Ù Àá½Ã ¾ÕÀ¸·ÎÀÇ °èȹÀÌ Bout a plan, yo man, I gotta step out town ±Ã±ÝÇØÁ®, yo Ä£±¸, ³ª µµ½Ã ¹Û¿¡ ´Ù³à¿Í¾ßµÅ You wanna call me up? Take my number down ¿¬¶ôÇÏ°í ½Í´Ù°í? ¿©±â ¹øÈ£ ¹Þ¾ÆÀû¾î It's 222-2222 222-2222¾ß I got an answering machine that can talk to you ³»°¡ ¾ø¾îµµ ÀÚµ¿ÀÀ´ä±â°¡ ¹ÞÀ»°Å¾ß It goes ¸Þ¼¼Áö´Â POS: Hey how are ya doin' ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä Sorry ya can't get through Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëȰ¡ ¾È µÇ¿ä But leave your name and your number ÇÏÁö¸¸ À̸§À̶û (¾î) ¹øÈ£¸¦ ³²±â½Ã¸é And I'll get back to you. ³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä Yo, check it, exit the old style, enters the new Yo, µé¾îºÁ, ¿¾³¯ ½ºÅ¸ÀÏÀº ³ª°¡°í, »õ·Î¿î °Ô µé¾î¿Í But nothing's new 'bout being hawked by a crew ÇÏÁö¸¸ µý ³ðµéÀÌ ³¯ ±«·ÓÈ÷´Â °Ç ¿¹Àü°ú °°Áö Or should I say flock cause around every block ¾Æ´Ï µý ¹«¸®¶ó°í ÇØ¾ßÇϳª? ¾î´À °Å¸®¸¦ °¡µç There's Harry, Dick, and Tom, with a demo in his palm Harry, Dick, ±×¸®°í TomÀÌ ¼Õ¿¡ µ¥¸ðÅ×ÀÔÀ» µé°í ´Ù´Ï°Åµç Now I'm with helping those who want to help themselves ³ª´Â ¹°·Ð ½º½º·Î¸¦ µ½´Â »ç¶÷µéÀ» µ½°í And flaunt a nut that's doggy as in dope ¸ÚÁø ôÇÏ¸é¼ °Åµå¸§ ÇÇ¿ì°í ½Í¾î But it's not the mood to hear the tales of limousines ÇÏÁö¸¸ ÀÚ±âµéÀÌ Å¸°í ´Ù´Ò°Å¶ó´Â ¸®¹«Áø, ¹ú°Å¶õ µ·¹¶Ä¡ And pails of money they'll make like a pro ±×·± ¾ê±â¸¦ µéÀ» ±âºÐÀº ¾Æ´Ï¶ó°í I be like, "Yo black, just play me the tape" ³ ¸»ÇÏÁö, "Àú±â, ±×³É Å×ÀÔÀ̳ª Ʋ¾îºÁ¿ä" But at the show the time to spare I just make ÇÏÁö¸¸ ¼î¿¡¼´Â ±×³É ³²´Â ½Ã°£À» ÀϺη¯ ¸¸µå´Â °Å°í But the songs created in they shacks are so wick-wick-wack, ±×µéÀÌ ÀÚ±â Áý¿¡¼ ¸¸µç ³ë·¡´Â Âü ±¸¸®µð ±¸¸°°É situations like this and now I hate they give me smiles Kool-Aid wide and ask, ÀÌ·± »óȲ¿¡ ±×µéÀº Kool-Aid °°Àº ¹Ì¼Ò¸¦ ÇѲ¯ º¸ÀÌ¸é¼ "Was it def?" And with the straighest face I be like, "Hell yes." "ÁÁÁö ¾Ê¾Ò¾î¿ä?" ±×·³ ³ ÁøÁöÇÑ ¾ó±¼·Î "¿À ´ç¿¬ÇÏÁÒ" I slip them the digits to Papa Prince Paul Papa Prince PaulÀÇ ¹øÈ£¸¦ ±×µé¿¡°Ô ³Ñ±âÁö So I don't go AWOL but yet I know when they call ¾Æ¿¹ ¾ø´Â »ç¶÷Àº ¾È µÇ°Ô ¸»¾ß, ÇÏÁö¸¸ ±×µéÀÌ Àüȸ¦ °É¸é They get ±×µéÀÌ µè´Â °Ç MASE: Hey how ya doin' ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä Sorry ya can't get through Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëȰ¡ ¾È µÇ¿ä Why don't you leave your name and your number À̸§À̶û ÀüÈ ¹øÈ£¸¦ ³²±â½Ã¸é And I'll get back to you ³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä Hey how are ya doin' ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä Sorry ya can't get through Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëȰ¡ ¾È µÇ¿ä Why don't you leave your name and your number À̸§À̶û ÀüÈ ¹øÈ£¸¦ ³²±â½Ã¸é And I'll get back to you. ³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä Check it out µé¾îºÁ Party at the dug-out on Diction Ave Diction Ave.ÀÇ ´õ±×¾Æ¿ô¿¡¼ÀÇ ÆÄƼ Haven't been to the jam in quite a while Çѵ¿¾È À½¾Ç¿¡ ¸ÂÃç Áñ±âÁö ¾Ê¾ÒÁö Figure I'll catch up on the latest styles ¾Æ¹«·¡µµ ÃÖ±Ù ½ºÅ¸ÀÏÀ» µû¶ó°¡¾ß°Ú¾î 'Stead piles and piles of demo tapes bi-da miles Àú ¾öû³ª°Ô ½×ÀÎ µ¥¸ðÅ×ÀÔÀº Ä¡¿öµÎ°í All I wanna do is cut on the decks wild ³ ±×³É »ý°¢¾øÀÌ À½¾ÇÀ» ¸¸µé°í ½Í¾î But edition up here bi-da miles to the center ÇÏÁö¸¸ ¿©±â ¾Ù¹üµéÀº Áß¾Ó±îÁö(?) Reliever of duty, Plug One mosies in ºÎ´ãÀ» ´ú¾îÁÖ´Â, Plug OneÀÌ µé¾î¿Í And I be like, "Yo G, Pos does all the producing" ±×·³ ³ª´Â "Yo G, ÇÁ·Îµà½ÌÀº Pos°¡ ´Ù ÇØ"¶ó ÇÏÁö POS: Now woe is me to the third degree ¿À ³°¨Çϱº, ±×°Íµµ 3±ÞÀ¸·Î Mase pulls the funny so I make like a bunny Mase°¡ ³ó´ãÀ» ´øÁ® ±×·¡¼ ³ Å䳢ó·³ ¹ÝÀÀÇØ(?) Jettin', but I'm getting used to this demo abuse ´Þ·Á, ÇÏÁö¸¸ ÀÌ ½ñ¾ÆÁö´Â µ¥¸ðÅ×ÀÔ¿¡ Àͼ÷ÇØÁö³× Getting raped and giving birth to a tape °°£ ´çÇØ Å×ÀÔÀ» ³º´Â °Ý Cause there's no escape from the clutches of a hawker ±×µéÀÇ ¼Õ¾Æ±Í¿¡¼± ¹þ¾î³¯ ±æÀÌ ¾ø³× Attached to my success, sent like a stalker ³» ¼º°ø¿¡ ´Þ¶óºÙ¾î, ½ºÅäĿó·³ µû¶ó¿À¸é¼ Make way to my radius playin fly guy ³» ±Ùó¿¡¼ ¸ÚÀïÀÌÀΠôÀ» ÇÏÁö Try to get on my back they force like Luke Sky ³» µî¿¡ ¾÷È÷·Á Luke Skyó·³ Èû(force)À» ½á Me Myself and I go through this act daily ³ª È¥ÀÚ ÀÌ ÀÏÀ» ¸ÅÀÏ °Þ³× And rarely do I not °ÅÀÇ ÇÇÇÏÁú ¸øÇØ No matter how I dodge some jackal always nails me ¾Æ¹«¸® ÇÇÇÏ·ÁÇØµµ Àú³ðµé Ç×»ó ³ª¸¦ ã¾Æ³»Áö No matter what the plot °èȹÀÌ ¹¹µç °£¿¡ And even out on tour they be like, Åõ¾î ÁßÀÌ·¡µµ ±×µéÀº ¿Í¼´Â "Yo I got a tape to play you back at the hotel" "Yo È£ÅÚ °¡¼ ´ç½ÅÀÌ µé¾îº¼¸¸ÇÑ Å×ÀÔ °¡Á®¿Ô¾î¿ä" I be like "Oh swell" ³ ±×·¯¸é "¿À ¸ÚÁö³×¿ä" Unveil the numeric code to dial my room ³» ¹æÀ¸·Î °¡´Â ¹øÈ£¸¦ ¾Ë·ÁÁÖ°ï And tell them to call me at noon ³·¿¡ ÀüÈÇ϶ó°í ¸»À» ÇÏÁö But of course there's no answering machine in my room ÇÏÁö¸¸ ¹°·Ð ³» ¹æ¿¡´Â ÀÚµ¿ ÀÀ´ä±â°¡ ¾ø°í But a pretty young adorer who I swung on tour ³¯ ÁÁ¾ÆÇÏ´Â, Åõ¾î ¶§ ÇÔ²²ÇÏ´Â ¿¹»Û ¾Æ°¡¾¾°¡ ÀÖ¾î And if it rings while we're alone, she'll answer the phone ¸¸¾à ¿ì¸® ´ÜµÑÀÌ Àִµ¥ ÀüȰ¡ ¿ï¸®¸é, ±×³à°¡ Àüȸ¦ ¹Þ°í´Â And with the quickness she'll recite like a poem Àçºü¸£°Ô ½Ã¸¦ À¼µí ´ë´äÇÏÁö DOVE: "Hey, you done did the right thing, dial up my ring ring "ÇìÀÌ, Àß Çϼ̾î¿ä, Á¦ ÀüȹøÈ£·Î ´Ù °Å½Ã°í Now you're waiting on the beep. ÀÌÁ¦ »ß ¼Ò¸®¸¦ ±â´Ù¸®¼¼¿ä. Say, I would love if you'd sing ¾Æ, ±×¸®°í À߳ôÇÏ´Â ´ë½Å The tune to Tru instead of fronting on the speak." Tru ³ë·¡³ª ³»°Ô ºÒ·¯ÁÖ´Â °Ô ¾î¶§¿ä So no problemo, just play the demo ¹®Á¦ ¾øÁö, ±×³É µ¥¸ð¸¦ Ʋ°í And at the end it's break out time ³¡¿¡´Â Àá½Ã ºñ¾îÀÖ´Â ½Ã°£ Please oh please don't press rewind Á¦¹ß ¿À Á¦¹ß µÇ°¨±â´Â ´©¸£Áö¸¶ Cause I'll just lay it down the line ´ë½Å ³»°¡ µé·ÁÁÙ ¸»ÀÌ ÀÖ¾î Hey how ya doin' ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä Sorry ya can't get through Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëȰ¡ ¾È µÇ¿ä Why don't you leave your name and your number À̸§À̶û ÀüÈ ¹øÈ£¸¦ ³²±â½Ã¸é And I'll get back to you ³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä POS: Hey how ya doin' ÇìÀÌ, ¾î¶»°Ô Áö³»¿ä Sorry ya can't get through Á˼ÛÇÏÁö¸¸ Áö±ÝÀº ÅëȰ¡ ¾È µÇ¿ä Why don't you leave your name and your number À̸§À̶û ÀüÈ ¹øÈ£¸¦ ³²±â½Ã¸é And we'll get back to you.. peace ³ªÁß¿¡ ¿¬¶ôµå¸±°Ô¿ä.. ¾È³ç 'Yo what's up man, this is Ronald Master down with the Fish Tank Posse, 'Yo ¾È³çÇϼ¼¿ä, Àú´Â Fish Tank PosseÀÇ ¸â¹ö Ronald Master¶ó°í Çϴµ¥¿ä man, you know man, so you know you can just hook me up, True. ¾ËÁÒ, ¾ðÁ¦µç ÇȾ÷µÉ ÁغñµÇ¾îÀְŵç¿ä, ÁøÂ¥¿ä. You know we got this fly new jam called 'Swimming In the Fish Tank', ¾Æ ±×¸®°í ÃÖ±Ù¿¡ ¿ì¸®°¡ "Swimming in the Fish Tank'¶ó´Â ¸ÚÁø ½Å°îÀÌ ³ª¿Ô´Âµ¥¿ä you know we gonna rock it man, you know what I'm saying, À̰ɷΠÇÑÅÁ ÇҰŶó°í¿ä, ¹«½¼ ¸»ÀÎÁö ¾ËÁÒ but I just need your help, Prince Paul gave me your number, ÇÏÁö¸¸ ´ç½Å µµ¿òÀÌ ÇÊ¿äÇØ¿ä, Prince PaulÀÌ ¹øÈ£ ¾Ë·ÁÁ༠ÀüÈÇÏ´Â °Çµ¥ you know man, you just gotta do that for me, got this fly bassline, ÀÖÀݾƿä, ÁøÂ¥ ³¯ À§Çؼ ÇØÁà¾ßÇØ¿ä, º£À̽º¶óÀεµ ¸ÚÁö°í got these fly trombones in it man, so just hook me up, man, Æ®·Òº» ¸á·Îµðµµ ¸ÚÁö°í, ±×·¯´Ï±î ³ª µ¥·Á°¡¿ä just look out, all right, call me back at 557-2223 all right man, ³ªÇÑÅ× ¿¬¶ôÇØ¿ä, ³×, 557-2223À¸·Î ÀüÈÇÏ¸é µÇ¿ä just look out, all right, look out for a brother man!' ±×³É ³ªÇÑÅ×, ³×, ³ªÇÑÅ× ¿¬¶ôÇÏ¸é µÇ¿ä!' |
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