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| name : | DanceD |
| subject : | [Talib Kweli]The Perfect Beat |
| home : | http://endforand.net/danced |
"Check this out..." "µé¾îºÁ..." [KRS-One] Hooooooooooooo~! (HEY DJ!) WHAT? ("I know you're gonna dig this") Hooooooooooooo~! (ÇìÀÌ DJ!) ¹¹? ("ÀÌ ³ë·¡ Á» ²ÈÈú°É") Yeah, yeah, yeh yeh! KRS, ohhhh~! Talib Kweli Talib this is crazy, yo this is crazy Talib ÀÌ°Ç ¹ÌÃÆ¾î, yo ¹ÌÃÆ´Ù°í Hah... what'chu doin? Hah... ¹¹Çϴ°žß? Throw your hands up, c'mon ¼ÕÀ» À§·Î µé¾î, À̸® ¿Í [T]BK to BX and every place in between, it's all 7-18 like BK¿¡¼ BX, ±× »çÀÌ¿¡ ÀÖ´Â Àå¼Òµé, ¸ðµÎ ´º¿åÀÌÁö [K]Grand Concourse, whassup! Grand Concourse, ¾È³ç! [Talib Kweli] We got beats to the rhyme and the rhyme is so fresh yo ¶óÀÓÀ» ¹ñÀ» ºñÆ®°¡ ÀÖ¾î, ÀÌ ¶óÀÓÀº ½Å¼±ÇÏÁö So what'chu got? 9's and tecs, you no threat ³×°Ô ÀÖ´Â °Í? ÀÌ·±Àú·± ±ÇÃÑ, ³Í À§ÇùÀÌ ¸ø µÇÁö It's the beat, how you get your cake don't matter ¹Ù·Î ÀÌ ºñÆ®, ´Ï°¡ µ·À» ¾î¶»°Ô ¹úµç »ó°üÀÌ ¾øÁö It takes heart the lyrics been replaced with the swagger Áø½ÉÀÌ ÇÊ¿äÇØ, °¡»ç´Â °Ñ¸ÚÀ¸·Î ´ëüµÇ¾ú³× I stay sharp enough to slash your face like a dagger ´Ü°Ëó·³ ´Ï ¾ó±¼À» º§ Á¤µµ·Î ³ ³¯Ä«·Î¿ö The actors been replaced with the rappers ¹è¿ìµéÀÌ ·¡ÆÛ·Î ´ëüµÇ°í The rappers been replaced with the actors, see how they try to stay on the beat ·¡ÆÛµéÀº ¹è¿ìµé·Î ´ëüµÇ¾ú¾î, ºñÆ®¸¦ µû¶ó°¡·Á°í ¾Ö¾²´Â ¸ð½À The pig route when he walkin down the street to the beat ºñÆ®¿¡ ¸ÂÃç °Å¸®¸¦ °È´Â ±×¸¦ º¸°í °æÂûµéÀº ¾Ë¾Æ¼ ÇÇÇÏÁö [KRS-One] WOOP~! Sound of da police WOOP~! °æÂûµéÀÇ ¼Ò¸® What is the life of a true hip-hopper, the beats ÁøÂ¥ ÈüÇÕÆÛÀÇ »îÀ̶õ ¹»±î, ºñÆ® Peace love unity livin proper with the beats ÆòÈ »ç¶û ÈÇÕ, ºñÆ®¿Í ÇÔ²² Á¦´ë·Î »ç´Â °Í In any endeavor whatever we will prosper with our beats ¾î¶² ½Ãµµ¸¦ Ç졂 ¿ì¸° ºñÆ®¿Í ÇÔ²² ¹ø¿µÇÒ°Å¾ß Some cats are real, other are impostors with beats ¾î¶² À̵éÀº ÁøÂ¥, ´Ù¸¥ À̵éÀº ºñÆ®¸¦ °¡Áø °¡Â¥µéÀÌ¾ß We the realest, livest ¿ì¸° °¡Àå ÁøÂ¥, °¡Àå ¸ÚÁø Á¸Àç The rawest, crack cocaine heroin survivors with beats °¡Àå °ÅÄ£, ºñÆ®¸¦ Ÿ´Â ÄÚÄ«ÀÎ Çì·ÎÀÎ »ýÁ¸ÀÚ We avoided the cops, we focused on beefs ¿ì¸° °æÂûµéÀ» ÇÇÇϰí, ½Î¿ò¿¡ ÁýÁßÇß¾î Spittin, all we saw was stacks of rhymes written, elite ¹ñ¾î³», º¸ÀÌ´Â °ÍÀº ÀûÀº ¶óÀÓ ¹¶Ä¡»Ó, ¿¤¸®Æ® Way too smart for the system of course ¹°·Ð ÀÌ Ã¼Á¦°¡ ¹Þ¾ÆµéÀ̱⿣ ³Ê¹« ¶È¶ÈÇØ We know a smart free black man just pisses 'em off! ¶È¶ÈÇÑ ÀÚÀ¯·Î¿î ÈæÀÎÀ» º¸¸é Ȱ¡ ³ª°ÚÁö! What they like is when we glisten and gloss ¿ì¸®°¡ ºû³¯ ¶§ ±×µéÀÇ ¹ÝÀÀÀº ¾î¶²Áö Flashin millions but still takin a loss 100¸¸ ´Þ·¯¸¦ ÀÚ¶ûÇÏÁö¸¸ ¿©ÀüÈ÷ ¼ÕÇØ ºÁ Bump the beat! Yeah, all in the street ºñÆ®¸¦ Å©°Ô Ʋ¾î! ±×·¡ °Å¸® °÷°÷¿¡ Talib yo, I think it's 'bout time to speak Talib yo, ÀÌÁ¦ ¸»ÇÒ ½Ã°£ÀÌ µÈ °Å °°¾Æ [Talib Kweli] Yeah... yeah... word~! Yeah... yeah... ±×·¸Áö~! Watch me take it there, life ain't no Christmas there Àú ¸Ö¸® °¡Á®°¡´Â ³¯ ºÁ, Å©¸®½º¸¶½º °°Àº »ýȰÀº ¾Æ´ÏÁö Hell yeah it's crystal clear when Kweli and Kris is here ±×·¡, Kweli¿Í Kris°¡ ¿À¸é È®¿¬ÇÏÀÝ¾Æ Searching for the perfect beat I went to East Dayt' Daytona µ¿ºÎ¿¡ °¥ ¶§µµ ¿Ïº®ÇÑ ºñÆ®¸¦ ã´Â ¿òÁ÷ÀÓ It's crazy and fugazi how they slaves to they release date ¹ß¸ÅÀÏ¿¡ ³ë¿¹°¡ µÇ´Â À̵éÀ» º¸¸é Âü ¹ÌÄ£µí ÇØ They try to look away, they're scared to look inside ±×µéÀº ¹«½ÃÇÏ·Á Çß¾î, ¾ÈÀ» º¸±â µÎ·Á¿öÇß¾î Askin why like a guy who look for God up in the sky (that's right) ÇÏ´Ã À§ÀÇ ½ÅÀ» ã´Â »ç¶÷ó·³ ÀÌÀ¯¸¦ ¹°À¸¸ç (±×·¸Áö) Searchin high and low, behind the do', inside the drawer ³ôÀº °÷ ³·Àº °÷ ´Ù µÚÁ®, ¹® µÚ¿¡µµ, ¼¶ø ¾È¿¡µµ Little did he know that the beat was tryin to find a flow ºñÆ®´Â Ç÷ο츦 ã°í ÀÖ¾ú´Ü °É ±×´Â Àß ¸ô¶ú¾î Stuck in limbo, how low can you go µô·¹¸¶¿¡ ºüÁ®, ¾ó¸¶³ª Ãß¶ôÇÒ±î A punched hole through your stomach lining like Tylenol ŸÀÌ·¹³î ¸ð¾çÀ¸·Î ´Ï ¹è¿¡ ¶Õ¸° ±¸¸Û Build all kind of rolled, metaphors and similies ¿Â°® Á¾·ùÀÇ ÀºÀ¯¿Í Á÷À¯¸¦ âÁ¶ÇØ that'll have you doubtin my competitor's abilities ³Í ±×°É µè°í ³» »ó´ëÀÇ ´É·ÂÀ» ÀǽÉÄɵÇÁö My whole body is a spiritual facility ³» ¿Â ¸öÀº ¿µÈ¥ÀÇ ÀúÀå°í Rock a vest after a lyrical killing spree °¡»çÀû ¹«Â÷º° »ìÀÎ ÈÄ¿£ ¹æÅºÁ¶³¢¸¦ °ÉÃÄ The illest delivery, later for the talk we need action °¡Àå µ¶ÇÑ ¸Þ¼¼Áö Àü´Þ, ³ªÁßÀÇ ´ëȸ¦ À§ÇØ ¿ì¸° ÇൿÀÌ ÇÊ¿äÇØ Silence is golden but the violence is platinum ħ¹¬Àº ±Ý, ÇÏÁö¸¸ Æø·ÂÀº Ç÷¡Æ¼³Ñ When you rappin to the beat ƯÈ÷ ºñÆ®¿¡ ·¦À» ÇÒ ¶§ ¸»ÀÌÁö [KRS-One] Boom, bap, who's, that? Boom, bap, ±×°Ô, ´©±¸¾ß? KRS-One bring the beat back KRS-One ºñÆ®¸¦ ´Ù½Ã °¡Á®¿Í The perfect beat we seek that, knowledge of mind we speak that ¿Ïº®ÇÑ ºñÆ®, ¿ì¸° ±×°É ã³×, ¸¶À½ÀÇ Áö½Ä, ¿ì¸° ±×°É ¾ê±âÇÏ³× We don't speak weak crap over weak tracks ¾àÇÑ Æ®·¢¿¡ ¾àÇÑ ¾²·¹±â¸¦ ¸»ÇÏÁø ¾ÊÁö MOVE, THAT; we speak boom bap live in the club ¿òÁ÷, ¿©; Ŭ·´¿¡¼ ¶óÀ̺ê·Î boom bapÇÏ°í ¸»ÇØ We can show and prove that ±×°É º¸¿©ÁÖ°í Áõ¸íÇÒ°Ô [Talib Kweli] Yeah, it ain't old school or new school it's true school rap ±×·¡, ¿Ãµå ½ºÄðÀÌ°í ´º ½ºÄðÀÌ°í ¾ø¾î, ÀÌ°Ç Æ®·ç ½ºÄð ·¦ Beat you 'til you're blue and black, true dat, it's ´Ï°¡ ÆÛ·¸°Ô ¸Ûµé ¶§±îÁö ÆÐÁà, ±×·¸Áö, ÀÌ°Ç [KRS-One] Better beat win again, work the street ´õ ³ªÀº ºñÆ®, ´Ù½Ã ½Â¸®ÇØ, °Å¸®¸¦ ¿î¿µÇØ Movin again, insert the heat ´Ù½Ã ¿òÁ÷¿©, ¿±â¸¦ ÁÖÀÔÇØ Lookin again for the perfect beat ¿Ïº®ÇÑ ºñÆ®¸¦ ´Ù½Ã ã¾Æ´Ù³à Don't look in the book to learn to eat ¸Ô´Â ¹ýÀ» ¹è¿ì±â À§ÇØ Ã¥À» º¸Áö ¸» °Í Write up a hook, learn to speak ÈÅÀ» Àû¾î¹ö¸®°í ¸»ÇÏ´Â ¹ýÀ» ¹è¿ö Never be shook, follow the heat °Ì¸ÔÁö¸¶, ¿±â¸¦ µû¶ó¿Í Forever they look weak ³¡±îÁö ±×µéÀº ¾àÇØº¸ÀÌÁö T.K. you must speak! T.K. ³Êµµ ¸»ÇØ! [Talib Kweli] Teachin 'em how to eat to live »ì±â À§ÇØ ¸Ô´Â ¹ýÀ» °¡¸£ÃÄ They cheap and their pimp is pleadin the fifth ±×µéÀº ½Î±¸·Á°í, °Â³× ÁÖÀÎÀº ¹¬ºñ±Ç Çà»ç ÁßÀÌÁö Bleedin as if they goin to war ÀüÀï¿¡ °¡´Â µíÀÌ ÇǸ¦ Èê·Á Everytime they leavin the crib Áý ¹ÛÀ¸·Î ³ª°¥ ¶§¸¶´Ù Sneakers and whips, police be peepin the strip ¿îµ¿È¿Í ÀÚµ¿Â÷, °æÂûµéÀº °Å¸®¸¦ °¨½ÃÇØ You see 'em walkin the beat ºñÆ® À§¸¦ °È´Â°Ô º¸ÀÌ´ÂÁö Hoes believin the pimps who eatin the shrimps ¿©ÀÚµéÀº »õ¿ì¿ä¸®¸¦ ¸Ô´Â ³²ÀÚ¸¦ ¹ÏÁö So John's walkin the street ±×·¡¼ John(?)Àº °Å¸®¸¦ °É¾î Lookin for a sweet face, in each case ´Ã ¿¹»ÚÀåÇÑ ¾ó±¼À» ãÁö Tryin to get they heartbeat racin, and the dark meat be tastin ½ÉÀåÀ» ºü¸£°Ô ¶Ù°Ô Çϱâ À§ÇØ ¸»¾ß, ±×¸®°í °ËÀº °í±â´Â so delicious, my description so good to the beat ¾ÆÁÖ ¸ÀÀÖ¾î, ³» ¹¦»ç·ÂÀº ºñÆ®¿¡ µü ¸ÂÁö It's lifted right from the sounds that you hear in the hood when you sleep µ¿³×¿¡¼ ´Ï°¡ Àß ¶§ µè´Â ¼Ò¸®¿¡¼ ¹Ù·Î °¡Á®¿Â°Å¾ß [KRS-One] Bring the beat back! ´Ù½Ã ºñÆ®¸¦ °¡Á®¿Í! All that whackness, we don't need that ±× ¸ðµç ¸ÛûÇÔ, ÇÊ¿ä ¾ø¾î You gotta bring the beat back! ´Ù½Ã ºñÆ®¸¦ °¡Á®¿Í¾ßÇØ! All that whack garbage, we don't need that ¸ðµç ¾²·¹±â, ¿ì¸° ÇÊ¿ä ¾ø¾î Bring the beat back! All that weakness we don't need that ´Ù½Ã ºñÆ®¸¦ °¡Á®¿Í! ±× ¸ðµç ¾àÇÔ ÇÊ¿ä ¾ø¾î Selector bring the beat back, bring the beat back! Selector ºñÆ®¸¦ °¡Á®¿Í, ºñÆ®¸¦ °¡Á®¿Í! Selector, listen! Selector, µé¾îºÁ! [Talib Kweli] Yeah, DJ Rhettmatic Talib Kweli, hip-hop |
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